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Natural Science Forum / Physics / Acoustics / December 2003



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Detect "breath pops" in headset-microphone signal?

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Jerry Wolf - 18 Dec 2003 15:21 GMT
Many speech recognition system users use a headset microphone, which
in addition to the advantages it offers, also presents some
challenges, one of which is the importance of positioning the
microphone to the side of the mouth, out of the breath stream.
Failure to do so results in "breath pops", particularly during front
consonants, which I assume are due to turbulence due to the breath
stream at the microphone.  Most headsets come with a foam "wind sock"
on the microphone, but this does not eliminate the problem.

Has anyone done any work on detecting these breath pops in a
microphone signal?  My motivation is to alert the user to the fact
that the microphone is positioned incorrectly (and to induce him to
correct it so we can have a better signal going to the recognizer).

jerry wolf
Ethan Winer - 18 Dec 2003 17:51 GMT
Jerry,

> Has anyone done any work on detecting these breath pops <

I've used a multi-band compressor to eliminate the effects of pops quite
well. The idea is to hard limit only frequencies below about 80 Hz. If you
happen to have the UltraFunk plug-ins pack I can send you a pop removal
preset I created for the multi-band compressor plug-in.

As for detecting pops with circuitry or DSP code, you need to identify
sudden bursts of low frequency energy. I designed a pop eliminator many
years ago and wrote an article about it for the August 1981 issue of R-e/p
magazine. That article, with schematics, is on my web site:

www.ethanwiner.com/articles.html

Look for "Audio filters - theory and practice," about a third of the way
down the page.

--Ethan
Tony - 18 Dec 2003 19:23 GMT
> As for detecting pops with circuitry or DSP code, you need to identify
> sudden bursts of low frequency energy. I designed a pop eliminator many
[quoted text clipped - 5 lines]
> Look for "Audio filters - theory and practice," about a third of the way
> down the page.

If breath pops were only very low frequency then they wouldn't cause so much
trouble because they would be filtered out at some stage between the
microphone and the final listener.  Problem is, they produce a very high
level signal so at some point they cause overload.  This causes a wideband
output that you can't completely get rid of by filtering.  Overload often
happens very early in the chain, could even be the microphone diaphragm.  If
you have access to the amplifier that is overloading you could detect when
the signal level is getting too near to the supply rail.  Bear in mind that
the signal will be very asymmetrical.

Tony Woolf
Ethan Winer - 19 Dec 2003 14:59 GMT
Tony,

> they produce a very high level signal so at some point they cause
overload. <

Yes, you are absolutely correct. But Jerry asked how to detect pops, and
this is how you do it. Also, in practice, what I described works pretty
well. Obviously if the mike capsule or preamp overloads and "farts out"
there's no way to clean it up and make it sound perfect. But dropping the
bass level as described in my article, or using the multi-band compressor
preset I mentioned, does do a decent job after the fact.

--Ethan
Peter Larsen - 21 Dec 2003 12:38 GMT

> Tony,

> > they produce a very high level signal so at some point they cause
> overload. <

> Yes, you are absolutely correct. But Jerry asked how to detect pops, and
> this is how you do it. Also, in practice, what I described works pretty
> well. Obviously if the mike capsule or preamp overloads and "farts out"
> there's no way to clean it up and make it sound perfect. But dropping the
> bass level as described in my article, or using the multi-band compressor
> preset I mentioned, does do a decent job after the fact.

Fix single click in CE/Audition can solve many and very varied issues,
including gospel singers hitting a mic stand with a tambouring, members
of the audience kicking the mic stand, something falling off of a chair
on stage (x), clicks and pops in phonograph records, FM multipath
crackle from an airplane waiting to land at lane 12-30 in Kastrup, the
guy at 3' row who claps louder than everybody else and quit probably
also blast noises, overloaded or not.

(x) partly, the natural reverb of it in the hall can not be removed ....
but it can be made a lot less blatantly obvious.

> --Ethan

   Kind regards

   Peter Larsen

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