>I am wanting to reach 130+ DB using super tweeters or horn drivers
>using 1kH - 25kH variable ultrasonic transducers or tweeters.
Try a compression driver into a sealed tube. You're going to have to
work out some sort of labyrinth to avoid standing waves, but a JBL
horn driver going into a sealed tube should have no problem producing
that sort of level for a few inches.
>How is it possible that the in-car alarm & even keychain personal
>protection noise-makers are in excess of 130DB?
>Can this have a lot to do with the construction of the siren housing?
>and that they warble, rather than are variable?
They are very narrowband. It's easy to build something with a lot of
output if you don't want to to be narrowband. The Mallory Sonalert is
typical of these devices.
>in going above 120DB, my thinking is to couple some devices together.
If you double the amount of devices, you get a 6 dB improvement. It
takes a huge array to get much improvement, and of course now you get
interference issues.
>one thought is to use the big ear parabola to focus an array of
>devices or horn output.
This doesn't mkae it any louder, it just makes it directional.
>All comments and criticism welcome
>grrr@post.com
What are you trying to do? You want 130 dB a few inches away from the
driver in a sealed box for transducer testing? Or you want it fifty
feet away? The latter is much more difficult to do.
--scott

Signature
"C'est un Nagra. C'est suisse, et tres, tres precis."
Ankh - 07 Jul 2005 05:48 GMT
Hey, this stuff takes years to respond to, so bear with me..
Many thanks for the input.
now, how do i couple 5x 4-input adapters, that go from one inch thread
to just the one two inch throat, but using 1&3/8inch-thread drivers to
power just the one two-inch throated horn?
Would that sound too crazy?
Or should I stick to 5x separate horns?
I don't know the accoustic dynamics too well.
I'm guesing that the wave forms are spreading out like a shockwave,
and can only propogate a few inches. or something.
I'm also looking at Lecleac'h curves.
thanks
>>I am wanting to reach 130+ DB using super tweeters or horn drivers
>>using 1kH - 25kH variable ultrasonic transducers or tweeters.
[quoted text clipped - 31 lines]
>feet away? The latter is much more difficult to do.
>--scott
Scott Dorsey - 07 Jul 2005 13:56 GMT
>now, how do i couple 5x 4-input adapters, that go from one inch thread
>to just the one two inch throat, but using 1&3/8inch-thread drivers to
>power just the one two-inch throated horn?
With a Y connector machined out of aluminum.
>Would that sound too crazy?
>Or should I stick to 5x separate horns?
It seems like a silly idea to me, but Altec did it. You get all sort
of alignment issues at high frequencies.
>I don't know the accoustic dynamics too well.
>I'm guesing that the wave forms are spreading out like a shockwave,
>and can only propogate a few inches. or something.
There is a nice discussion of this in the AES Speaker Compendium.
But if you put it into a horn, it's not in a sealed tube any more.
The secret to getting high levels is to keep the driver and the
thing you're exciting in a sealed tube.
You still have not explained what you want this for.
--scott

Signature
"C'est un Nagra. C'est suisse, et tres, tres precis."
Ankh - 07 Jul 2005 05:49 GMT
Hey, this stuff takes years to respond to, so bear with me..
Many thanks for the input.
now, how do i couple 5x 4-input adapters, that go from one inch thread
to just the one two inch throat, but using 1&3/8inch-thread drivers to
power just the one two-inch throated horn?
Would that sound too crazy?
Or should I stick to 5x separate horns?
I don't know the accoustic dynamics too well.
I'm guesing that the wave forms are spreading out like a shockwave,
and can only propogate a few inches. or something.
I'm also looking at Lecleac'h curves.
thanks
>>I am wanting to reach 130+ DB using super tweeters or horn drivers
>>using 1kH - 25kH variable ultrasonic transducers or tweeters.
[quoted text clipped - 31 lines]
>feet away? The latter is much more difficult to do.
>--scott
> posted cross
> uk.rec.audio,rec.audio.pro,rec.audio.tech,rec.audio.opinion,rec.audio.misc,alt.sci.physics.acoustics,
[quoted text clipped - 59 lines]
> All comments and criticism welcome
> grrr@post.com\
Does all this have something to do with Gitmo?