On what environment can the speed of sound be 300 km/second and mean free path of air be 10^-1,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000 nanometer -- i.e. 10-to-the-power-NEGATIVE
May I know the difference between RT30 and Early Decay (EDT) in real application ? E.g. If we talk about a large hall with the ceiling at a very high level, then the reverberation time measured in RT30 is much longer than that measured in EDT. So, which parameter shall be used ...
Puppet_Sock <puppet_sock_at_hotmail_dot_com> wrote in http://groups.google.com/group/sci.physics.research/msg/029a72c00e1c69c9?dmode=s ource&hl=en&output=gplain
>It is an interesting premise that "all magnetism is electrical
Perhaps in the group you already have stuff like it, but I'm tossing out there some software that I wrote for myself, which does audio spectra in real time, particularly geared towards people monkeying around with their own music and sounds.
Are there any tools out there (software, or just plain analytical formulations) to analyze segments of music. I am new to the area of Music analysis and would like to know of existing work done in various types of decompositions (other than spectral) for music.
I have a transducer that I am trying to characterize and one of the things I want to check is the receiver sensitivity. But I'm not quite sure how to go about doing this. I know that receiver sensitivity is a measure of how well a hydrophone